mostly sweet, sometimes sour

Indoor Photography

Abstracts at night

My approach to photography in the past has mostly been ‘turn the camera off once the light goes off’. There’s good reason for that- I really deplore using flash, since I can’t be bothered to use off-camera flash (too much trouble once you add in reflectors, gelling, and so on), and on-camera flash makes everything look like you just hit them in the face with a spotlight.

Indoors, however, there is just enough ambient light so that you can use the appropriate (read: large aperture) lens to achieve good results. You can even do this outdoors, as long as the image is well-lit. Buildings for instance are good candidates for photography, and taking stuff illuminated by street lamps works too.

Above: As the sun begins to set, you get opportunities to photograph it. In this case, it was slowly setting, although still too bright to photograph directly. But I got lucky. I spotted a window of opportunity when the sun began to hide itself behind an ominous-looking cloud. When I was young, my mom used to tell me that they used to call a lunar eclipse 天狗吃月亮 (roughly translated: “the heavenly dog devours the moon”). When I showed her this picture, she said it reminded her of this.

 

Left: This was the building I was photographing that night. The diagonal lines you see are the results of stray light from a street lamp hitting the lens and resulting in lens flare. Technically that makes for a poorer picture, but in this case the effect was wonderful, so I kept the picture. This is the Westin, and the round circles you see at the top of the building are of New Asia Bar. I made everything look dark, and with a purple tinge, so it looks more like something out of a comic book, than a real-life building. What can I say, I have a preference for very graphical pictures.

Above: At the restaurant that I was at for dinner, I looked down and saw the light under the counter. This was being reflected off some metallic surfaces and I thought it was worth photographing. I waited for a waiter to appear on the right of the frame to balance out the picture before taking the shot. Notice how I timed it so that his feet are both off the ground- he’s reaching up for something. This frozen movement adds some dynamism.

Right: This picture was taken at Shanghai Tang. Whenever I’m feeling uninspired, retail never fails to wow me. It seems there’s always good design- of colours, of ambience, and of lines- to be seen at retail outlets these days. Shanghai Tang is definitely one of the those that focuses on design. Their look is a vibrant, almost futuristic look- using smooth reflective plastic materials for their furniture, and using cool lighting to set the mood. I took this picture without the head of the shop assistant to simulate the look of a mannequin. His body position also fits this interpretation- it is passive, like an unmoving plastic model.

Above: I took this picture as I was leaving the mall. The reflection of the brights lights in the glass, contrasted with the solid shapes of the people through the other side of the door, makes this an interesting shot with a lot going on. You can see both the McDonalds sign as well as the menu options in the reflection of the glass. It’s not immediately clear that this is a reflection, however, which adds some intrigue to the shot- what are all these lights doing in the middle of the shot? This picture tempts you to look twice, which should be the aim of any good photograph.


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